Yesterday I got up, got dressed, and went to fulfil a dream. Without a
ticket or any certainty that I'd get in at all, I went to conquer a
mountain. And I DID!
TEDxJamaica #accomplishwhatyouwill was phenomenal. I was grinning all
day. And every couple of seconds, I looked around me, took a deep
breath, and thought, 'Look at me. I'm here!' Then I gave out an inner
squeal. The girl in me was giggling and skipping and dancing all over
that place, even if the more mature character had to settle for bright smiles and lots
of interesting, animated conversations.
I saw people there who I'd known from before. People who I'd already
earmarked as movers and shakers. And I shook hands with dignitaries and
people of like passion. What drew us to that place? A common
understanding that greatness must be fed, nurtured and fostered if it is
to last. So we all sat, and fed our greatness. And in between, we fed
our faces.
I read somewhere that in order to function optimally, the brain needs
plenty of psychological sunshine. Conferences like TED facilitate an
inner and outer glow. It did more for us than give us a few sweet words.
It lit a fire on our backsides and challenged us to, as Garth Fagan so
aptly said, "D-O or G-O." It reminded us that there is no can't in try.
And, for me, it was a timely reminder that mountains can move, yes, they
can walk. I've loved TED for years. Ask my friends and coworkers. I
keep them up-to-date (sometimes against their will) on every new,
interesting TED Talk that comes out, and I'm constantly inserting
anecdotes and quotes and info from talks I've watched into every
conversation. I've wanted to attend a TED Talk for, like, forever!! That
was (one of) my mountain(s).
But I didn't go to this one. It literally came to me! TED came to
Jamaica. And my only regret is that I missed the first two years.
So, this time around, I paid out of pocket. I missed another appointment
I'd had. I went; I saw, heard, tasted and smelled; then I let that
ambience swallow me up and transport me to worlds of exciting
possibilities. I loved every minute of it.
TEDxJamaica was brilliantly organised and executed. My wish now is to
see this information simplified and taken into schools so that our kids
will have this kind of psychological sunshine as a regular part of their
education curriculum. Can you imagine what a nation of TEDx'd kids
could do?? They would really accomplish ANYTHING!
And then, as Donna Duncan-Scott boasted, we'd be "the best little
island in the world!"
Sunday, October 28, 2012
Tuesday, October 16, 2012
Heroes All Around Us
Yesterday was celebrated as Heroes Day in Jamaica. Our Government took the time to bestow national honours on those who have gone above and beyond the call of service in various fields at what was dubbed the 'Ceremony of Investiture and Presentation of National Honours and Awards' (so long and fancy-sounding) at King's House.
The Gleaner's lead story today, titled 'Bound By Bravery', tells the story of one of the awardees. It tells of young soldier, Ferdinand Trench, who risked his life to save Stephen Gabbadon, a policeman who had fallen over a dangerous precipice while directing traffic around a precarious junction corner. (See the full story here.) Trench received the Badge of Honour For Gallantry.
I find his story heartwarming and instructive. In Trench, we see a person doing something that is absolutely fantastically, inspiringly extraordinary. I love to read stories like these. I love to hear and see the moments when people seize opportunities to be and do something significant, invaluable, selfless ... I love when the better qualities of the human heart triumphs. Trench proves that bravery, 'gallantry' and heroism are traits that we all may possess.
But how and when and where are heroes born? I think the fact that we cannot put a place, date or time on this metamorphosis tells us – tells me – to be careful about how we treat each person we encounter everyday. It is a fitting reminder of the fact that regular people have seeds of greatness within them, and that the common men we pass daily on our streets could all be heroes waiting to be discovered.
So, as Miss Lou would say, 'walk good'. And never miss an opportunity to discover the hero in others, and the hero in you. Have a happy belated Heroes Day.
Saturday, October 6, 2012
Donald Sangster, Jamaica’s most unappreciated PM
Published in The Sunday Gleaner on September 23:
Forgotten and unrewarded
Call
the names of Alexander Bustamante, Michael Manley, P.J. Patterson, or
Edward Seaga, and Jamaicans immediately know to whom you are referring.
Say the name ‘Donald Sangster’, and they may tell you about an airport, a
bookstore – or, perhaps, a rum cream. Not many may be readily aware
that Sir Donald Sangster was a prime minister of Jamaica.
Hartley
Neita, former press secretary for the prime minister, decided to fill
the gap of missing information about Sangster with his recently
published biography, Jamaica’s Forgotten Prime Minister – Donald
Sangster.
The book’s title alone is a rebuke to the
nation for failing to better honour the legacy of one of its premier
leaders; on Tuesday, September 18, no punches were pulled as panellists
Ken Chaplin, Michelle Neita and Patrick Bryan discussed the topic
‘Preserving the Memory of Our Prime Ministers’ at the Bookophilia
bookstore and café in Liguanea, Kingston.
Chaired
by University of the West Indies Professor Rupert Lewis, the evening
was characterised by a continuous flow of animated debate punctuated by
healthy doses of laughter from the audience, which included
communications specialist and media veteran Marcia Forbes; Donna
Parchment Brown, CEO of Dispute Resolution Foundation; Prime Minister
Sangster’s son, Bindley Sangster; author and educator, Dr Alfred
Sangster; educator and theatre personality, Jean Small; former high
commissioner to the United Kingdom, Ambassador Anthony Johnson; and
former Security Minister Dwight Nelson.
“If
we feel that the history of our country is sacrosanct, then we need to
preserve it,”noted Michelle Neita, daughter of Hartley Neita and editor
of the biography. She argued that with only nine post-Independence prime
ministers, it was tragic that Sangster’s name and legacy were so
obscure, and suggested the establishment of an organisation to record
their tenures of different prime ministers – something like a
mini-museum.
Ken Chaplin, former national press
secretary, asked how the memories of prime ministers could be preserved
when the country’s record of development had been far from impressive.
Crafting a compelling vision of the dismal state of the nation’s
education and economy, and referring to the link between crime and
politics, Chaplin decried the non-performance of Jamaican prime
ministers over the years, and asked if this below-average record was
worthy of memory at all.
He ended on a positive
note, however, suggesting that, in spite of all their shortcomings,
prime ministers’ memories could be preserved and emphasised the need for
“consistent and extensive national action”.
UWI
historian Patrick Bryan, who delved into the heart of Neita’s book. “On
the surface,” Bryan said, “the PM has not been forgotten, so why is he
called forgotten?” He went on to explain this was because of
the shortness of Sangsters’ term in office and the very limited
knowledge of his personal contributions to nation-building.
The
veracity of this point was later proven when Ambassador Johnson noted
areas in which Donald Sangster was critical to Jamaica’s
nation-building:
- making Jamaica the ‘tomato capital’ of the
region. He noted that if Sangster had stayed alive, we would still have
a vibrant vegetable industry in St Elizabeth;
-
being an avid supporter of CARIFTA, to the point where he was given the
moniker ‘Mr Commonwealth’;
- supporting the
building of the Donald Sangster International Airport at a time when
others would perhaps not have seen fit to do so. This facility was later
named in his honour and is now the largest airport in Jamaica; and
-
procuring a contract for Jamaica to export oranges to New Zealand
Summing
up, Dr Alfred Sangster said the PM was “forgotten and unrewarded”. He
noted that the importance of Neita’s book lay precisely in the fact that
it shed light on a man who had worked hard for the benefit of his
nation, and would dispel some of the myths and mystery surrounding his
tenure.
“He represented perhaps one of the last prime
ministers who could walk in any crowd and be comfortable,” Sangster
said. “We, as a family, are proud of him.”
Sunday, September 23, 2012
News Feature: Striking the Right Chord
Published in The Sunday Gleaner on September 23:
"Music and children are my passion," says Andrea Curtis, a visionary whose dream is to operate an early-childhood institution where children learn about music. While that dream is yet to be realised, Curtis set wheels in motion with the establishment in 2003 of Pianoprep.
Curtis said, "The reason Pianoprep was birthed was so that talented children from all echelons of society could be given exposure to playing an instrument, voice training, understanding the art of music and where it is coming from." She believes that the empowerment children get from Pianoprep enables them to have "big power" to be the change they want to see, and even help with the realisation of Jamaica's Vision 2030.
EVERY CHILD A MUSICIAN
"At heart, I'm a Jamaican girl," quips Curtis with a smile. "And I believe that every child is a musician, especially in Jamaica. We are naturally rhythmical - look at even the way we sing the multiplication tables. Music is just part of us."
Through Pianoprep, she teaches children how to play the piano, preparing them for the Associated Board of the Royal Schools of Music (ABRSM) examinations and, in the process, instilling within them a deep love and passion for music, country and self.
As a requirement of the programme, every child must learn to play the Jamaican anthem.
And, putting a little fun in the mix, she has developed a "last lick" culture, where children had better learn to outrun her before she plants one of her famous last licks on them when they are leaving her home, which also doubles as her teaching studio.
Her reason for doing this, Curtis says, is to help with the continuation of some time-honoured Jamaican traditions. She says many of the children she has tutored over her years were unaware of what a "last lick" was before they met her.
And does it make a difference?
"We still do the last lick," says Kevah Lyn, a Trinidadian-Canadian mother of two who now resides in Jamaica. Both her children attended Pianoprep: Victoria began when she was six years old and Nicholas at five. "Andrea does more than music, she also feeds the soul. She brings herself down to the kids' level and is playful ... it's real good."
Gregory Gordon, whose two children - Aimi (five) and Zuri (six) - attended this year's Pianoprep Summer Camp, agrees. "I thought it was a well-run camp. I like the idea of instruments that they used with their hands, the creativity, the 'oboephone' - the combination of the saxophone and the oboe. I like that they used boxes to think outside the box, the rewards system, the 'last lick' culture. It was quite fun, full, substantial."
He mentioned that Zuri cried after her first day of camp, when she had a difficult time learning to play the guitar, but "she went back and she got it. She played and sang at the closing recital. That was a proud daddy moment for me".
Josiah Rainford, one of Curtis' first students, had this to say to his 'Auntie Andrea': "You made me like piano, leading to guitar and drums. Thanks to you, I now play piano in church." He also did the ABRSM Grade One exam and passed with a merit.
An important aspect of Curtis' programme is self-development. Some of the highlights of her Pianoprep journey this year include: a two-year-old who still sings the Japanese song taught at camp, watching one of her youth helpers transform from being stern and lackadaisical to industrious, helpful and playful.
Curtis has her own share of challenges - financial support for her summer camps being the major obstacle.
But this is not going to stop her. "Not possible," the god-fearing Christian replies. "Pianoprep will be able to go through and grow through with a perpetual relevance despite the inevitable changes, while solidly holding to its core values, which makes it Pianoprep."
"Music and children are my passion," says Andrea Curtis, a visionary whose dream is to operate an early-childhood institution where children learn about music. While that dream is yet to be realised, Curtis set wheels in motion with the establishment in 2003 of Pianoprep.
Curtis said, "The reason Pianoprep was birthed was so that talented children from all echelons of society could be given exposure to playing an instrument, voice training, understanding the art of music and where it is coming from." She believes that the empowerment children get from Pianoprep enables them to have "big power" to be the change they want to see, and even help with the realisation of Jamaica's Vision 2030.
EVERY CHILD A MUSICIAN
"At heart, I'm a Jamaican girl," quips Curtis with a smile. "And I believe that every child is a musician, especially in Jamaica. We are naturally rhythmical - look at even the way we sing the multiplication tables. Music is just part of us."
Through Pianoprep, she teaches children how to play the piano, preparing them for the Associated Board of the Royal Schools of Music (ABRSM) examinations and, in the process, instilling within them a deep love and passion for music, country and self.
As a requirement of the programme, every child must learn to play the Jamaican anthem.
And, putting a little fun in the mix, she has developed a "last lick" culture, where children had better learn to outrun her before she plants one of her famous last licks on them when they are leaving her home, which also doubles as her teaching studio.
Her reason for doing this, Curtis says, is to help with the continuation of some time-honoured Jamaican traditions. She says many of the children she has tutored over her years were unaware of what a "last lick" was before they met her.
And does it make a difference?
"We still do the last lick," says Kevah Lyn, a Trinidadian-Canadian mother of two who now resides in Jamaica. Both her children attended Pianoprep: Victoria began when she was six years old and Nicholas at five. "Andrea does more than music, she also feeds the soul. She brings herself down to the kids' level and is playful ... it's real good."
Gregory Gordon, whose two children - Aimi (five) and Zuri (six) - attended this year's Pianoprep Summer Camp, agrees. "I thought it was a well-run camp. I like the idea of instruments that they used with their hands, the creativity, the 'oboephone' - the combination of the saxophone and the oboe. I like that they used boxes to think outside the box, the rewards system, the 'last lick' culture. It was quite fun, full, substantial."
He mentioned that Zuri cried after her first day of camp, when she had a difficult time learning to play the guitar, but "she went back and she got it. She played and sang at the closing recital. That was a proud daddy moment for me".
Josiah Rainford, one of Curtis' first students, had this to say to his 'Auntie Andrea': "You made me like piano, leading to guitar and drums. Thanks to you, I now play piano in church." He also did the ABRSM Grade One exam and passed with a merit.
An important aspect of Curtis' programme is self-development. Some of the highlights of her Pianoprep journey this year include: a two-year-old who still sings the Japanese song taught at camp, watching one of her youth helpers transform from being stern and lackadaisical to industrious, helpful and playful.
Curtis has her own share of challenges - financial support for her summer camps being the major obstacle.
But this is not going to stop her. "Not possible," the god-fearing Christian replies. "Pianoprep will be able to go through and grow through with a perpetual relevance despite the inevitable changes, while solidly holding to its core values, which makes it Pianoprep."
Tuesday, September 18, 2012
To Hell With The Future?
The Bible says, “Man
shall not live by bread alone … .” Perhaps the members of Damian
Crawford’s East Rural St Andrew constituency have never heard that
saying before, or, if they have, maybe they don’t believe it and think
that “daily bread” from the hands of an MP will be enough to sustain
them and their children for many generations to come.
While Crawford’s decision to use a significant portion of his Constituency Development Fund allocation – J$5,439,200 to be exact – on education is welcome by some as a step in the right direction, his constituents – the very parents of the children he proposes to help – are livid. They’re on TV every night threatening to significantly damage Crawford’s young career.
As with any news story, I do not know ALL the details, and I’m sure that there are more and deeper issues than we are being told. However, arguing from the assumption that what I’ve heard and the impression I’ve received is accurate, I have to ask: why is it that, when faced with a choice between a sacrificial, long-term investment in our children’s future and an immediate bellyful, we seem prone to choose the latter? It bothers me that we make decisions about our children’s futures the same way we make decisions about the nation’s political future: who can full my belly fastest? This coarse, gravalicious mentality has been, for a very long time, the undoing of this nation.
When parents live for today only, they sacrifice tomorrow. These parents want their bread NOW, and what their attitude says to me, and to all well-thinking young persons in this nation is, “To hell with you; to hell with the future; to HELL with our children!”
Forgive me. Had to rant today.
While Crawford’s decision to use a significant portion of his Constituency Development Fund allocation – J$5,439,200 to be exact – on education is welcome by some as a step in the right direction, his constituents – the very parents of the children he proposes to help – are livid. They’re on TV every night threatening to significantly damage Crawford’s young career.
As with any news story, I do not know ALL the details, and I’m sure that there are more and deeper issues than we are being told. However, arguing from the assumption that what I’ve heard and the impression I’ve received is accurate, I have to ask: why is it that, when faced with a choice between a sacrificial, long-term investment in our children’s future and an immediate bellyful, we seem prone to choose the latter? It bothers me that we make decisions about our children’s futures the same way we make decisions about the nation’s political future: who can full my belly fastest? This coarse, gravalicious mentality has been, for a very long time, the undoing of this nation.
When parents live for today only, they sacrifice tomorrow. These parents want their bread NOW, and what their attitude says to me, and to all well-thinking young persons in this nation is, “To hell with you; to hell with the future; to HELL with our children!”
Forgive me. Had to rant today.
Monday, September 17, 2012
Book Review: Leonie: Her Autobiography
Published in The Sunday Gleaner on September 16, 2012:
Title: Leonie: Her Autobiography
Author: Leonie Forbes, as told to Mervyn Morris
Publisher: LMH Publishing Limited
"When you suffer emotional trauma you take the energy from the pain and the loss and the confusion or whatever it is, and turn it right around."
For Leonie Forbes, this maxim applies not just to her performances on stage, but also to the way she lives each day. Interesting, fascinating, riveting doesn't even begin to describe the account of her life. Steeped in humour and poignant anecdotes, this book exudes a myriad of emotions – it will have you smiling, laughing, and, very frequently, stopping to sit and ponder.
It is always a pleasure to see veterans in any field take the time to share from their vast reserve of knowledge and experience for the benefit of their peers and upcoming generations. For the world of Jamaican and Caribbean theatre, Leonie has bequeathed, through her autobiography, wisdom for posterity and a unique voice that gives life and colour to an important period in Jamaican drama.
Dedicated to Alma Mock Yen, Muriel Amiel and Leonie's children, the autobiography is written in refreshingly honest and vividly straightforward prose. Interestingly, the English is sometimes broken into what can be termed a 'mild dialect'. However, the transition is so smooth that it creates a conversational feel. You can almost hear Leonie speaking directly to you in that rich, reflective tone that carries wonderfully throughout the book.
She tells of living on Princess Street with 'Aunt G' (her mother's sister), who played the role of guardian not only to Leonie, but also to many unfortunate children roundabout her. She speaks about early indicators of her theatrical ability – a very entertaining and ironic twist to an attempt at mimicry, and her enjoyment whenever she watched the performing arts – and of a passionate crush on a Senior School teacher.
From its genesis, her worklife has been intricately interwoven with some of the most well-known moments and personalities in Jamaican media and theatre. She was typist for Philip Sherlock, and throughout the expanse of her career, had encounters with the likes of Louise Bennett, Trevor Rhone, Charles Hyatt, Ranny Williams, and Easton Lee. Readers will appreciate Leonie's chronicling of her time at the Radio Education Unit and Jamaica Broadcasting Corporation as instructive and informative, especially since these chapters are seasoned with humorous anecdotes and, in many places, the nostalgia is palpable.
Leonie's experience with and opinion on theatre training will also prove valuable for anyone who has worked in or desires to work in that field. She gives a first-hand account of the thrills and challenges of the profession, detailing her exposure to a variety of roles.
"I think my most successful roles have been Miss Aggy in Old Story Time, Mother of Judas in Easton Lee's The Rope and The Cross and Ojuola in Rotimi's The Gods Are Not To Blame," Leonie says. She devotes an entire chapter to a detailed description of the effort that went into her work as Miss Aggy, and her near-total immersion into the part. As she states in a later chapter, "A lot of times my skill was not in making the moment believable but in not getting carried away by it I mean, being able to stop, cut it off."
And this 'stopping' and 'cutting off' of the character when the play is done is an important element of acting. Leonie makes it clear that there are roles which an actor can so strongly internalise that he/she never emerges from the stage as his/her own self. She shares some of the moments when she wasn't sure she could make it through a character representation, along with some of her lighter, not-so-pleasant moments in theatre. For example, the time when "Mas Ran as Petruchio got carried away and gave me the box of my life – I thought my jaw was dislocated. But the show went well".
Leonie gives readers insight into another side of her – encounters with what she terms "the paranormal". She touches on her strong intuition, which she has had from an early age, and how this has helped her over the years. She tells of her love life – the three marriages she has been through, and her relationship with her children, her biological mother, religion, and good friends. She pauses to express gratitude to the many persons who have invested in her over the years, including those she met in her travels to different countries, from England to Australia, Ireland, Germany, India and Trinidad.
There are pictures of Leonie at different stages of her life interspersed throughout the book, giving a strong visual representation of the different periods and plays she describes. Her passion for her family and work can be strongly heard and felt as well, and the wisdom she has gained over the years is undeniable. After imparting to the reader these gems from her life, she ends:
"God is good. I give thanks for family and friends, and the many people with whom I have collaborated in theatre, broadcasting and other endeavours. I am glad to have been allowed a rewarding range of roles. I have learnt from every aspect of my life."
And the reader can't help but feel a sense of gratitude, too, for her life, her story, her voice, and her legacy.
Title: Leonie: Her Autobiography
Author: Leonie Forbes, as told to Mervyn Morris
Publisher: LMH Publishing Limited
"When you suffer emotional trauma you take the energy from the pain and the loss and the confusion or whatever it is, and turn it right around."
For Leonie Forbes, this maxim applies not just to her performances on stage, but also to the way she lives each day. Interesting, fascinating, riveting doesn't even begin to describe the account of her life. Steeped in humour and poignant anecdotes, this book exudes a myriad of emotions – it will have you smiling, laughing, and, very frequently, stopping to sit and ponder.
It is always a pleasure to see veterans in any field take the time to share from their vast reserve of knowledge and experience for the benefit of their peers and upcoming generations. For the world of Jamaican and Caribbean theatre, Leonie has bequeathed, through her autobiography, wisdom for posterity and a unique voice that gives life and colour to an important period in Jamaican drama.
RICH TONE
Fittingly released in the year of Jamaica's 50th anniversary of Independence, the book provides invaluable historical insight into Jamaica's rich theatrical heritage from the first-person perspective of one of the nation's most beloved personalities. Leonie: Her autobiography is an exceptional literary treasure which will captivate the hearts and imaginations of its readers.Dedicated to Alma Mock Yen, Muriel Amiel and Leonie's children, the autobiography is written in refreshingly honest and vividly straightforward prose. Interestingly, the English is sometimes broken into what can be termed a 'mild dialect'. However, the transition is so smooth that it creates a conversational feel. You can almost hear Leonie speaking directly to you in that rich, reflective tone that carries wonderfully throughout the book.
She tells of living on Princess Street with 'Aunt G' (her mother's sister), who played the role of guardian not only to Leonie, but also to many unfortunate children roundabout her. She speaks about early indicators of her theatrical ability – a very entertaining and ironic twist to an attempt at mimicry, and her enjoyment whenever she watched the performing arts – and of a passionate crush on a Senior School teacher.
From its genesis, her worklife has been intricately interwoven with some of the most well-known moments and personalities in Jamaican media and theatre. She was typist for Philip Sherlock, and throughout the expanse of her career, had encounters with the likes of Louise Bennett, Trevor Rhone, Charles Hyatt, Ranny Williams, and Easton Lee. Readers will appreciate Leonie's chronicling of her time at the Radio Education Unit and Jamaica Broadcasting Corporation as instructive and informative, especially since these chapters are seasoned with humorous anecdotes and, in many places, the nostalgia is palpable.
Leonie's experience with and opinion on theatre training will also prove valuable for anyone who has worked in or desires to work in that field. She gives a first-hand account of the thrills and challenges of the profession, detailing her exposure to a variety of roles.
"I think my most successful roles have been Miss Aggy in Old Story Time, Mother of Judas in Easton Lee's The Rope and The Cross and Ojuola in Rotimi's The Gods Are Not To Blame," Leonie says. She devotes an entire chapter to a detailed description of the effort that went into her work as Miss Aggy, and her near-total immersion into the part. As she states in a later chapter, "A lot of times my skill was not in making the moment believable but in not getting carried away by it I mean, being able to stop, cut it off."
And this 'stopping' and 'cutting off' of the character when the play is done is an important element of acting. Leonie makes it clear that there are roles which an actor can so strongly internalise that he/she never emerges from the stage as his/her own self. She shares some of the moments when she wasn't sure she could make it through a character representation, along with some of her lighter, not-so-pleasant moments in theatre. For example, the time when "Mas Ran as Petruchio got carried away and gave me the box of my life – I thought my jaw was dislocated. But the show went well".
Leonie gives readers insight into another side of her – encounters with what she terms "the paranormal". She touches on her strong intuition, which she has had from an early age, and how this has helped her over the years. She tells of her love life – the three marriages she has been through, and her relationship with her children, her biological mother, religion, and good friends. She pauses to express gratitude to the many persons who have invested in her over the years, including those she met in her travels to different countries, from England to Australia, Ireland, Germany, India and Trinidad.
There are pictures of Leonie at different stages of her life interspersed throughout the book, giving a strong visual representation of the different periods and plays she describes. Her passion for her family and work can be strongly heard and felt as well, and the wisdom she has gained over the years is undeniable. After imparting to the reader these gems from her life, she ends:
"God is good. I give thanks for family and friends, and the many people with whom I have collaborated in theatre, broadcasting and other endeavours. I am glad to have been allowed a rewarding range of roles. I have learnt from every aspect of my life."
And the reader can't help but feel a sense of gratitude, too, for her life, her story, her voice, and her legacy.
Tuesday, September 11, 2012
Book Review: The Penniless Millionaire
Published in The Sunday Gleaner on September 2, 2012
Title: The Penniless Millionaire
Author: Dorothy Martell
Publisher: Xlibris Corporation
Our life experiences are important in shaping our characters and creating our destinies. In her book, The Penniless Millionaire, Dorothy Martell shares the unique encounters of what she terms her “peculiar but beautiful life”, using her testimony as a platform to encourage readers to persevere despite their struggles, and to trust in God’s unending faithfulness.
From the book’s beginning, she introduces readers to the roller-coaster that is her life. She tells of the many different instances when God gave her, and persons close to her, visions and dreams about his purpose for her, explaining that while she is now able to make sense of her “exciting and sometimes inexplicable journey of God’s amazing grace”, it wasn’t always clear what He was up to.
Martell shares about being pregnant at 15, and struggling to avoid the chasm of shame and guilt that wanted to swallow her up. She talks about her experience with migration, and how God used her time abroad as a testing ground to build her trust in Him and mature her faith.
She also shares about a topic that many people today can relate to: money trouble. Again, it was her willingness to obey God, even when he told her to give away her most valuable material possessions, that enabled her to overcome and find resolution for her financial problems.
Martell introduces her readers to a life fraught with struggle. She has had to deal with a sister with an autistic child, the deaths of her elder brother and father in quick succession, attempted robberies, threats, persecution … she knows what it is like to grapple with failure, grief, disappointment and an unclear sense of purpose. Throughout the book, however, one point remains absolutely clear: Martell is firmly convinced that it was God who helped her to overcome.
The book is sprinkled with humorous anecdotes, which compensate for sometimes unengaging writing and an otherwise casual narrative. While the story is not told with a very structured timeline, Martell’s purpose for writing this book remains definite: to encourage readers to believe in the power of a God who has amazingly transformed her life and allowed her to become the ‘penniless millionaire’.
Title: The Penniless Millionaire
Author: Dorothy Martell
Publisher: Xlibris Corporation
Our life experiences are important in shaping our characters and creating our destinies. In her book, The Penniless Millionaire, Dorothy Martell shares the unique encounters of what she terms her “peculiar but beautiful life”, using her testimony as a platform to encourage readers to persevere despite their struggles, and to trust in God’s unending faithfulness.
From the book’s beginning, she introduces readers to the roller-coaster that is her life. She tells of the many different instances when God gave her, and persons close to her, visions and dreams about his purpose for her, explaining that while she is now able to make sense of her “exciting and sometimes inexplicable journey of God’s amazing grace”, it wasn’t always clear what He was up to.
Martell shares about being pregnant at 15, and struggling to avoid the chasm of shame and guilt that wanted to swallow her up. She talks about her experience with migration, and how God used her time abroad as a testing ground to build her trust in Him and mature her faith.
She also shares about a topic that many people today can relate to: money trouble. Again, it was her willingness to obey God, even when he told her to give away her most valuable material possessions, that enabled her to overcome and find resolution for her financial problems.
Martell introduces her readers to a life fraught with struggle. She has had to deal with a sister with an autistic child, the deaths of her elder brother and father in quick succession, attempted robberies, threats, persecution … she knows what it is like to grapple with failure, grief, disappointment and an unclear sense of purpose. Throughout the book, however, one point remains absolutely clear: Martell is firmly convinced that it was God who helped her to overcome.
The book is sprinkled with humorous anecdotes, which compensate for sometimes unengaging writing and an otherwise casual narrative. While the story is not told with a very structured timeline, Martell’s purpose for writing this book remains definite: to encourage readers to believe in the power of a God who has amazingly transformed her life and allowed her to become the ‘penniless millionaire’.
Subscribe to:
Posts (Atom)