I knew this girl.
She was raw.
She was uncensored and unafraid.
She was honest - to a fault.
And serious.
All the time.
About everything.
And intense.
She lived her life like that - intense.
She thought hard about everything.
And cried plenty - and waaay too easily.
If you asked her a simple question,
She would break it down to a science
And answer you through philosophy,
With language that breathed literature.
She was a very complex creature.
But, oh God, I loved her!
Because she was so authentic
And so genuine and so real.
She was who she was
And people just had to deal with that.
Most of them didn't.
But she didn't let it bother her.
She was always on the outside.
She didn't quite get people.
And people didn't get her.
They said she was a little weird.
No.
They said she was weird a lot.
But she didn't let that bother her
Because whether they said she was weird or not
They had to admit that there was something about her -
This thing they couldn't name or define
And it wasn't a bad thing either.
It was a good thing - whatever it was.
It was a special and powerful
Potential.
Life can be this thing - this place - this big, scary mass of people and
Friday, January 11, 2013
Monday, December 31, 2012
Jasmine Thomas-Girvan's Art – The Photos
Her work is exceptional. But you don't need me to tell you that. Let the photos speak for themselves ...
'THE UPPER ROOM' from Jasmine Thomas-Girvan's Resonance collection |
'THE MESSAGE' from Jasmine Thomas-Girvan's Resonance collection The piece of string hanging down from the hand bears the message, 'Open your eyes and look within'. |
'MARIPOSA NEGRA' from Jasmine Thomas-Girvan's Resonance collection |
Sunday, December 30, 2012
Jasmine Thomas-Girvan's Art Resonates
Published in The Sunday Gleaner, December 23, 2012
Her art is as unique, graceful and petite
as she is. And it speaks. Yes, it speaks. Jasmine Thomas-Girvan's
pieces, which use a unique combination of materials such as bronze,
wood, brass, aluminium, pearl, silver, and even silk, are truly works of
art which carry messages taken from a variety of Caribbean situations.
Her most recent exhibit, Resonance, featured at the Hi-Qo Art & Framing Gallery on Waterloo Road, does just that. With a keen focus on faces and hands, which she describes as "the most expressive parts of the human body", this master artist cunningly intertwines language and human form to create symbolic and illustrative pieces that carry weight in literal presence as well as figurative meaning.
Pieces such as 'What We Have Done And What We Have Left Undone' - a specimen featuring a wooden man with tongue extended, on which is inscribed 'I do not recall' - serve as cutting-edge social commentary that also elicit humour. The man holds a machete in his hand and is about to cut out his own tongue. In his pocket is a measuring stick, on which is inscribed, 'Truth and lie nebba drown'. Interestingly, but not surprisingly, this was the first piece from the Resonance collection to be sold.
Art lovers will also appreciate Thomas-Girvan's precision and attention to detail. The time and thought invested in each piece is obvious from the miniscule inscriptions on pieces such as 'The Message', which itself carries a compelling message about where truth and light can be found ('Open your eyes and look within'); or 'The Upper Room'; or 'Mariposa Negra', a bronze and wood offering which features a woman with hands folded, completely covered in butterflies.
A somewhat sad, yet powerful, section of the exhibit is 'Give Us Vision'. Here, Thomas-Girvan bestows medals of honour upon three of her heroes - Jamaica's John Maxwell, Trinidad and Tobago's Angela Cropper, and Cuba's Operation Milagro, with a notation stating, 'For valour beyond the call'.
Outstanding exemplars
Explaining
the importance and necessity of this gesture, Thomas-Girvan speaks
passionately about John Maxwell's phenomenal contribution to Jamaican
journalism, and says she thinks it is appropriate to recognise this in
Jamaica's 50th year of Independence.She speaks of Angela Cropper's "dedication to causes that protect the environment", and describes the quiet strength of a woman who endured many hardships but refused to be broken. (Cropper died on November 12 of this year).
Then, she explains the awe-inspiring beauty of Operation Milagro, a medical programme initiated by Cuba and Venezuela which restores sight to persons suffering from visual disabilities. She expresses admiration for the Cuban people who "have a vision about social responsibility like no other group".
It is obvious that Thomas-Girvan, who was born in Jamaica, is a holistically Caribbean artist. Jamaica features prominently in her pieces - from the Anansi jewellery series to the frequent use of the calabash in her artistry. "It is very important to reinforce our Caribbean and Jamaican identity," she says, explaining that the Anansi series celebrates the "beauty and intelligence" of one of Jamaica's most wily folklore heroes.
But she does not leave her new home, Trinidad, behind. Her frequent use of birds, she explains, is mainly due to the fact that these creatures are now a big part of her daily life. She also loves the imagery of birds: "Soaring to realms that humans only dream about, birds symbolise flight, defying gravity, and are incredibly beautiful." So into her art they go.
As Maria Casserly explains, Thomas-Girvan's work is influenced by the moments the artist encounters everyday. And since this is the case, we can only wonder where next these moments will lead her, or what her next body of artwork will be. One thing is for sure, with art lovers everywhere, this jeweller-cum-sculptor's work will resonate.
Sunday, October 28, 2012
TEDxJamaica - Totally Worth It!!
Yesterday I got up, got dressed, and went to fulfil a dream. Without a
ticket or any certainty that I'd get in at all, I went to conquer a
mountain. And I DID!
TEDxJamaica #accomplishwhatyouwill was phenomenal. I was grinning all day. And every couple of seconds, I looked around me, took a deep breath, and thought, 'Look at me. I'm here!' Then I gave out an inner squeal. The girl in me was giggling and skipping and dancing all over that place, even if the more mature character had to settle for bright smiles and lots of interesting, animated conversations.
I saw people there who I'd known from before. People who I'd already earmarked as movers and shakers. And I shook hands with dignitaries and people of like passion. What drew us to that place? A common understanding that greatness must be fed, nurtured and fostered if it is to last. So we all sat, and fed our greatness. And in between, we fed our faces.
I read somewhere that in order to function optimally, the brain needs plenty of psychological sunshine. Conferences like TED facilitate an inner and outer glow. It did more for us than give us a few sweet words. It lit a fire on our backsides and challenged us to, as Garth Fagan so aptly said, "D-O or G-O." It reminded us that there is no can't in try.
And, for me, it was a timely reminder that mountains can move, yes, they can walk. I've loved TED for years. Ask my friends and coworkers. I keep them up-to-date (sometimes against their will) on every new, interesting TED Talk that comes out, and I'm constantly inserting anecdotes and quotes and info from talks I've watched into every conversation. I've wanted to attend a TED Talk for, like, forever!! That was (one of) my mountain(s).
But I didn't go to this one. It literally came to me! TED came to Jamaica. And my only regret is that I missed the first two years.
So, this time around, I paid out of pocket. I missed another appointment I'd had. I went; I saw, heard, tasted and smelled; then I let that ambience swallow me up and transport me to worlds of exciting possibilities. I loved every minute of it.
TEDxJamaica was brilliantly organised and executed. My wish now is to see this information simplified and taken into schools so that our kids will have this kind of psychological sunshine as a regular part of their education curriculum. Can you imagine what a nation of TEDx'd kids could do?? They would really accomplish ANYTHING!
And then, as Donna Duncan-Scott boasted, we'd be "the best little island in the world!"
TEDxJamaica #accomplishwhatyouwill was phenomenal. I was grinning all day. And every couple of seconds, I looked around me, took a deep breath, and thought, 'Look at me. I'm here!' Then I gave out an inner squeal. The girl in me was giggling and skipping and dancing all over that place, even if the more mature character had to settle for bright smiles and lots of interesting, animated conversations.
I saw people there who I'd known from before. People who I'd already earmarked as movers and shakers. And I shook hands with dignitaries and people of like passion. What drew us to that place? A common understanding that greatness must be fed, nurtured and fostered if it is to last. So we all sat, and fed our greatness. And in between, we fed our faces.
I read somewhere that in order to function optimally, the brain needs plenty of psychological sunshine. Conferences like TED facilitate an inner and outer glow. It did more for us than give us a few sweet words. It lit a fire on our backsides and challenged us to, as Garth Fagan so aptly said, "D-O or G-O." It reminded us that there is no can't in try.
And, for me, it was a timely reminder that mountains can move, yes, they can walk. I've loved TED for years. Ask my friends and coworkers. I keep them up-to-date (sometimes against their will) on every new, interesting TED Talk that comes out, and I'm constantly inserting anecdotes and quotes and info from talks I've watched into every conversation. I've wanted to attend a TED Talk for, like, forever!! That was (one of) my mountain(s).
But I didn't go to this one. It literally came to me! TED came to Jamaica. And my only regret is that I missed the first two years.
So, this time around, I paid out of pocket. I missed another appointment I'd had. I went; I saw, heard, tasted and smelled; then I let that ambience swallow me up and transport me to worlds of exciting possibilities. I loved every minute of it.
TEDxJamaica was brilliantly organised and executed. My wish now is to see this information simplified and taken into schools so that our kids will have this kind of psychological sunshine as a regular part of their education curriculum. Can you imagine what a nation of TEDx'd kids could do?? They would really accomplish ANYTHING!
And then, as Donna Duncan-Scott boasted, we'd be "the best little island in the world!"
Tuesday, October 16, 2012
Heroes All Around Us
Yesterday was celebrated as Heroes Day in Jamaica. Our Government took the time to bestow national honours on those who have gone above and beyond the call of service in various fields at what was dubbed the 'Ceremony of Investiture and Presentation of National Honours and Awards' (so long and fancy-sounding) at King's House.
The Gleaner's lead story today, titled 'Bound By Bravery', tells the story of one of the awardees. It tells of young soldier, Ferdinand Trench, who risked his life to save Stephen Gabbadon, a policeman who had fallen over a dangerous precipice while directing traffic around a precarious junction corner. (See the full story here.) Trench received the Badge of Honour For Gallantry.
I find his story heartwarming and instructive. In Trench, we see a person doing something that is absolutely fantastically, inspiringly extraordinary. I love to read stories like these. I love to hear and see the moments when people seize opportunities to be and do something significant, invaluable, selfless ... I love when the better qualities of the human heart triumphs. Trench proves that bravery, 'gallantry' and heroism are traits that we all may possess.
But how and when and where are heroes born? I think the fact that we cannot put a place, date or time on this metamorphosis tells us – tells me – to be careful about how we treat each person we encounter everyday. It is a fitting reminder of the fact that regular people have seeds of greatness within them, and that the common men we pass daily on our streets could all be heroes waiting to be discovered.
So, as Miss Lou would say, 'walk good'. And never miss an opportunity to discover the hero in others, and the hero in you. Have a happy belated Heroes Day.
Saturday, October 6, 2012
Donald Sangster, Jamaica’s most unappreciated PM
Published in The Sunday Gleaner on September 23:
Forgotten and unrewarded
Call
the names of Alexander Bustamante, Michael Manley, P.J. Patterson, or
Edward Seaga, and Jamaicans immediately know to whom you are referring.
Say the name ‘Donald Sangster’, and they may tell you about an airport, a
bookstore – or, perhaps, a rum cream. Not many may be readily aware
that Sir Donald Sangster was a prime minister of Jamaica.
Hartley
Neita, former press secretary for the prime minister, decided to fill
the gap of missing information about Sangster with his recently
published biography, Jamaica’s Forgotten Prime Minister – Donald
Sangster.
The book’s title alone is a rebuke to the
nation for failing to better honour the legacy of one of its premier
leaders; on Tuesday, September 18, no punches were pulled as panellists
Ken Chaplin, Michelle Neita and Patrick Bryan discussed the topic
‘Preserving the Memory of Our Prime Ministers’ at the Bookophilia
bookstore and café in Liguanea, Kingston.
Chaired
by University of the West Indies Professor Rupert Lewis, the evening
was characterised by a continuous flow of animated debate punctuated by
healthy doses of laughter from the audience, which included
communications specialist and media veteran Marcia Forbes; Donna
Parchment Brown, CEO of Dispute Resolution Foundation; Prime Minister
Sangster’s son, Bindley Sangster; author and educator, Dr Alfred
Sangster; educator and theatre personality, Jean Small; former high
commissioner to the United Kingdom, Ambassador Anthony Johnson; and
former Security Minister Dwight Nelson.
“If
we feel that the history of our country is sacrosanct, then we need to
preserve it,”noted Michelle Neita, daughter of Hartley Neita and editor
of the biography. She argued that with only nine post-Independence prime
ministers, it was tragic that Sangster’s name and legacy were so
obscure, and suggested the establishment of an organisation to record
their tenures of different prime ministers – something like a
mini-museum.
Ken Chaplin, former national press
secretary, asked how the memories of prime ministers could be preserved
when the country’s record of development had been far from impressive.
Crafting a compelling vision of the dismal state of the nation’s
education and economy, and referring to the link between crime and
politics, Chaplin decried the non-performance of Jamaican prime
ministers over the years, and asked if this below-average record was
worthy of memory at all.
He ended on a positive
note, however, suggesting that, in spite of all their shortcomings,
prime ministers’ memories could be preserved and emphasised the need for
“consistent and extensive national action”.
UWI
historian Patrick Bryan, who delved into the heart of Neita’s book. “On
the surface,” Bryan said, “the PM has not been forgotten, so why is he
called forgotten?” He went on to explain this was because of
the shortness of Sangsters’ term in office and the very limited
knowledge of his personal contributions to nation-building.
The
veracity of this point was later proven when Ambassador Johnson noted
areas in which Donald Sangster was critical to Jamaica’s
nation-building:
- making Jamaica the ‘tomato capital’ of the
region. He noted that if Sangster had stayed alive, we would still have
a vibrant vegetable industry in St Elizabeth;
-
being an avid supporter of CARIFTA, to the point where he was given the
moniker ‘Mr Commonwealth’;
- supporting the
building of the Donald Sangster International Airport at a time when
others would perhaps not have seen fit to do so. This facility was later
named in his honour and is now the largest airport in Jamaica; and
-
procuring a contract for Jamaica to export oranges to New Zealand
Summing
up, Dr Alfred Sangster said the PM was “forgotten and unrewarded”. He
noted that the importance of Neita’s book lay precisely in the fact that
it shed light on a man who had worked hard for the benefit of his
nation, and would dispel some of the myths and mystery surrounding his
tenure.
“He represented perhaps one of the last prime
ministers who could walk in any crowd and be comfortable,” Sangster
said. “We, as a family, are proud of him.”
Sunday, September 23, 2012
News Feature: Striking the Right Chord
Published in The Sunday Gleaner on September 23:
"Music and children are my passion," says Andrea Curtis, a visionary whose dream is to operate an early-childhood institution where children learn about music. While that dream is yet to be realised, Curtis set wheels in motion with the establishment in 2003 of Pianoprep.
Curtis said, "The reason Pianoprep was birthed was so that talented children from all echelons of society could be given exposure to playing an instrument, voice training, understanding the art of music and where it is coming from." She believes that the empowerment children get from Pianoprep enables them to have "big power" to be the change they want to see, and even help with the realisation of Jamaica's Vision 2030.
EVERY CHILD A MUSICIAN
"At heart, I'm a Jamaican girl," quips Curtis with a smile. "And I believe that every child is a musician, especially in Jamaica. We are naturally rhythmical - look at even the way we sing the multiplication tables. Music is just part of us."
Through Pianoprep, she teaches children how to play the piano, preparing them for the Associated Board of the Royal Schools of Music (ABRSM) examinations and, in the process, instilling within them a deep love and passion for music, country and self.
As a requirement of the programme, every child must learn to play the Jamaican anthem.
And, putting a little fun in the mix, she has developed a "last lick" culture, where children had better learn to outrun her before she plants one of her famous last licks on them when they are leaving her home, which also doubles as her teaching studio.
Her reason for doing this, Curtis says, is to help with the continuation of some time-honoured Jamaican traditions. She says many of the children she has tutored over her years were unaware of what a "last lick" was before they met her.
And does it make a difference?
"We still do the last lick," says Kevah Lyn, a Trinidadian-Canadian mother of two who now resides in Jamaica. Both her children attended Pianoprep: Victoria began when she was six years old and Nicholas at five. "Andrea does more than music, she also feeds the soul. She brings herself down to the kids' level and is playful ... it's real good."
Gregory Gordon, whose two children - Aimi (five) and Zuri (six) - attended this year's Pianoprep Summer Camp, agrees. "I thought it was a well-run camp. I like the idea of instruments that they used with their hands, the creativity, the 'oboephone' - the combination of the saxophone and the oboe. I like that they used boxes to think outside the box, the rewards system, the 'last lick' culture. It was quite fun, full, substantial."
He mentioned that Zuri cried after her first day of camp, when she had a difficult time learning to play the guitar, but "she went back and she got it. She played and sang at the closing recital. That was a proud daddy moment for me".
Josiah Rainford, one of Curtis' first students, had this to say to his 'Auntie Andrea': "You made me like piano, leading to guitar and drums. Thanks to you, I now play piano in church." He also did the ABRSM Grade One exam and passed with a merit.
An important aspect of Curtis' programme is self-development. Some of the highlights of her Pianoprep journey this year include: a two-year-old who still sings the Japanese song taught at camp, watching one of her youth helpers transform from being stern and lackadaisical to industrious, helpful and playful.
Curtis has her own share of challenges - financial support for her summer camps being the major obstacle.
But this is not going to stop her. "Not possible," the god-fearing Christian replies. "Pianoprep will be able to go through and grow through with a perpetual relevance despite the inevitable changes, while solidly holding to its core values, which makes it Pianoprep."
"Music and children are my passion," says Andrea Curtis, a visionary whose dream is to operate an early-childhood institution where children learn about music. While that dream is yet to be realised, Curtis set wheels in motion with the establishment in 2003 of Pianoprep.
Curtis said, "The reason Pianoprep was birthed was so that talented children from all echelons of society could be given exposure to playing an instrument, voice training, understanding the art of music and where it is coming from." She believes that the empowerment children get from Pianoprep enables them to have "big power" to be the change they want to see, and even help with the realisation of Jamaica's Vision 2030.
EVERY CHILD A MUSICIAN
"At heart, I'm a Jamaican girl," quips Curtis with a smile. "And I believe that every child is a musician, especially in Jamaica. We are naturally rhythmical - look at even the way we sing the multiplication tables. Music is just part of us."
Through Pianoprep, she teaches children how to play the piano, preparing them for the Associated Board of the Royal Schools of Music (ABRSM) examinations and, in the process, instilling within them a deep love and passion for music, country and self.
As a requirement of the programme, every child must learn to play the Jamaican anthem.
And, putting a little fun in the mix, she has developed a "last lick" culture, where children had better learn to outrun her before she plants one of her famous last licks on them when they are leaving her home, which also doubles as her teaching studio.
Her reason for doing this, Curtis says, is to help with the continuation of some time-honoured Jamaican traditions. She says many of the children she has tutored over her years were unaware of what a "last lick" was before they met her.
And does it make a difference?
"We still do the last lick," says Kevah Lyn, a Trinidadian-Canadian mother of two who now resides in Jamaica. Both her children attended Pianoprep: Victoria began when she was six years old and Nicholas at five. "Andrea does more than music, she also feeds the soul. She brings herself down to the kids' level and is playful ... it's real good."
Gregory Gordon, whose two children - Aimi (five) and Zuri (six) - attended this year's Pianoprep Summer Camp, agrees. "I thought it was a well-run camp. I like the idea of instruments that they used with their hands, the creativity, the 'oboephone' - the combination of the saxophone and the oboe. I like that they used boxes to think outside the box, the rewards system, the 'last lick' culture. It was quite fun, full, substantial."
He mentioned that Zuri cried after her first day of camp, when she had a difficult time learning to play the guitar, but "she went back and she got it. She played and sang at the closing recital. That was a proud daddy moment for me".
Josiah Rainford, one of Curtis' first students, had this to say to his 'Auntie Andrea': "You made me like piano, leading to guitar and drums. Thanks to you, I now play piano in church." He also did the ABRSM Grade One exam and passed with a merit.
An important aspect of Curtis' programme is self-development. Some of the highlights of her Pianoprep journey this year include: a two-year-old who still sings the Japanese song taught at camp, watching one of her youth helpers transform from being stern and lackadaisical to industrious, helpful and playful.
Curtis has her own share of challenges - financial support for her summer camps being the major obstacle.
But this is not going to stop her. "Not possible," the god-fearing Christian replies. "Pianoprep will be able to go through and grow through with a perpetual relevance despite the inevitable changes, while solidly holding to its core values, which makes it Pianoprep."
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